“The thing with tools and computers these days is they’re so hyper-designed,” says artist Sean Dack. “There’s no room for failure or for discovery, or for the entrance of anything that wasn’t part of the original information”.

In his last work, Dack tries to avoid today’s too-perfect technology, using his own, custom-programmed software script to blow up, corrupt, and digitally reinvigorate images.

Dack’s fascination with malfunction and disorder is an attempt to digitally recreate such diversity-the resulting brightly colored works, stripped with pixilated, geometric blocks offer a vision of a partially randomized dystopia.

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